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Critics: 4 Panel: 6 User: 12

Overall: 2.9 from 22 users

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Critics Review


The film down the most is that it is directed without any feel for the material,so we are unsure if we need to take the film seriously or as a spoof.

Prashanth, making a return to the screen after quite a while, gives his best, but we can't help but feel that this required an even younger hero. A remake of the 2012 Telugu film Julayi, Saagasam has the ingredients that make a masala potboiler (not surprising given its origin), but the film also ex...(more)

Source: M Suganth, Times Of India


A Decent Entertainer!

Though the overall screenplay is quite compact, unnecessary songs and old-fashioned romantic sequences might help you discover your virtue of patience. Saagasam has its issues, but the film does manage to entertain you in parts, making it a passable flick. (more)

Source: Avinash Gopinath, One India


A frame by frame remake of the Telugu original

The film has a number of glaring logical loopholes, coupled with contrived and predictable sequences. Thaman�s musical score is foot tapping and background music is passable. Shaji�s cinematography goes well with the mood of the film. Instead of recreating a frame by frame remake of the original, d...(more)

Source: ANUPAMA SUBRAMANIAN, Deccan Chronicle


Saagasam is a decent comeback film for Prashanth.

Arun Raj's Saagasam is a decent comeback film for Prashanth, who once dominated the industry with back to back collaborations with Mani Ratnam, Shankar and Balu Mahendra. The actor in him is still intact and this film is substantiation for the same. His energy level and passion for the craft is indi...(more)

Source: SMK, Nowrunning

Music Tracks

No. Song Title Lyric Writer Performer(s) Listen here
1 “Desi Girl” Madhan Karky Silambarasan, Lakshmi Menon Listen
2 “Angry Bird Penne” Na Muthukumar Mohit Chauhan
3 “Madhu” Na. Muthukumar Anirudh Ravichander
4 “O Madhu (Reprise)” Na Muthukumar Vijay Prakash
5 “Pudikkum” Shankar Mahadevan, Shreya Ghoshal Kabilan
6 “Sayang Ku” Na. Muthukumar M.M. Manasi, S. Thaman