Synopsis/Plot : Uyare follows the story of Pallavi, a strong-willed woman who has always aspired to become a pilot. How she gets back on her feet through sheer resilience after being beset by a series of personal crises forms the crux of the film.
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Parvathy Stuns One And All In This Powerful Story Of Hope And Rise!
Parvathy stuns superlatively terrific in Manu Asokan's Uyare, an affecting drama of not just a survivor but a woman who waves, rises and flies through the tough strides of her life.(more)
Source: Suhansid Srikanth, MovieCrow
Two big thumbs up for this one. It's a must watch
Uyare is an overwhelming experience that narrates a highly relevant issue in a fabulous way. Don't forget to carry a box of tissues while heading to the cinemas. Two big thumbs up for this one. It's a must watch.(more)
Source: Moviebuzz, Sify.com
The film has broken the stereotypical Mollywood formula of putting the superstar hero at the centre of a tale and making him find a way out of some trouble or the other.
To conclude, this film has broken the stereotypical Mollywood formula of putting the superstar hero at the centre of a tale and making him find a way out of some trouble or the other. Here, we witness a heroine in the driver's seat, cockpit rather, and both Parvathy and Uyare marking a successful la...(more)
Source: Anjana George, Times Of India
Despite minor quibbles, film soars high on Parvathy's wings
The shift in body language, as much as in emotions on her half-face, post the attack are something to watch out for. But even when she underplays effectively, the loud, over-dramatic background score works against the movie at some points. Despite the minor quibbles, 'Uyare' soars high on Parvathy's...(more)
Source: S.R. Praveen, The Hindu
Parvathy Is Heartbreakingly Good In A Moving Modern-Day Fairy Tale
Flying as a metaphor for women breaking away from the shackles of patriarchy isn't something we haven't seen before. But what sets 'Uyare' apart is how it's intrinsically woven into the screenplay without feeling forced(more)
Source: VISHAL MENON, Filmcompanion.in